This opening story hasn’t been the best as far as I am
concerned. I think that it’s fair to say that it’s been a bit of a damp squib.
Louis Marks might not be the most successful writer in the show’s history but I
think that he has written solid stories in the past. Sadly this isn’t one of
his best. Despite not really caring or understanding what was been talked
about. I did find the performance and directing to be enough to find some good
stuff in it.
I remember during some of the William Hartnell and Patrick
Troughton stories where I would have quite happily skipped that story if I wasn’t
so determined to watch/listen to every Doctor Who story. Whilst I haven’t felt
like whilst I have been watching the Jon Pertwee and Tom Baker era, I came
pretty close during this story. I think the main stumbling block has been that
it is a classic case of style of substance.
The idea of a ball featuring in the final episode does make
it seem like it’s a final episode because it’s such a grand thing and its done
very well indeed. The BBC has a reputation for doing good costumes in period
dramas and that is definelty the case during this episode and in fact the
previous episodes. I got the feeling that this episode doesn’t have much of a
fast end of episode pace to it that I would expect. I still like the ball that
happens but I think that the pace doesn’t really change in this episode compared
to the previous ones.
The way that the whole thing was dealt with was rather good
but I wasn’t really bothered by what happened to the mandragora helix. This episode
wasn’t anywhere near as bad as it could have been but I still think that this
story was a disappointment. The next story is the final one to feature
Elisabeth Sladen and it’s a shame that her penultimate story is such a weak
one. I was watching the extras and this story was due to the success of ‘Pyramids
of Mars’ which is a pseudo historical story. The difference between that story
and this one is that the Mars story was a more traditional Doctor Who story
that had something to it and this one this one doesn’t and so it wont go down
as one of the finest Tom Baker stories.
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