After the great clifhanger in ‘Strangers in Space’ we get our first proper glimpse of the Sensorites. It’s just as well that this story was made in black and white because I think in colour they don’t quite have the same impact that they do in monochrome. Something I never commented on in the cliffhanger was how I liked that out of the Doctor, Ian, Maitland and Carol. It was only Ian that walked around like he was the most mentally strongest of the four.
There is a moment when John is talking to thin air but he is looking just to the side of the camera. It’s a nice moment. Stephen Dartnell gives a superb performance and it helps add to the tension. It’s good who they have turned the one person who has been affected the most by the Sensorites and as a result is more strange, is the one that they turn to for help. They are still using that stupid little laser blaster to get through the door. Still cant believe they are using something so ridiculously small.
Barbara and Susan continue to be a good double act in the early part of this episode. Working together to calm John down. Susan is the one that comes up with the idea of telepathy and talks about a previous adventure that they have. She talks about the planet Esto. Susan’s involvement in this story is becoming stronger and its nice to see Susan to become better written for after the inconsistent recent episodes.
There is a nice theory about why the Sensorites are doing what they are doing and why John’s hair has turned white. Ian surmises that John has discovered something and they are trying to stop him or the team from going down to the sense-sphere. It’s all down to fear and that they don’t want the humans to go back to earth and bring other to ravage their world. When its explained you sort of understand why they have felt the need to act the way they have and it explains why they don’t actually harm them even though they are effectively kept prisoner.
Ian’s first encounter with the Sensorites is a good one as he is prepared to get violent if he needs to. It’s perhaps the downside of being the action hero of the group that he instantly resorts to this instead of trying to talk and reason with them. William Russell is good in this episode and has some good scenes. As does William Hartnell who’s best moment comes when he is standing up to the Sensorites. It was quite interesting to note that in the previous episode he was having a go a Maitland for the laser being so slow on the door yet in this episode he is a lot more calmer because he understand that anger leaves them open to attack.
Mervyn Pinfield’s direction is very good as he keeps it very tense for large parts of the story. At times it feels claustrophobic and Raymond Cusick does a good job in creating some good sets. The lighting was another thing that helped to create a wonderful spaceship and that credit goes to Peter Murray who keeps it light in the main control room but when it came to the corridor and the sleeping quarters it is a different matter and the lighting makes it look menacing.
We get the first proper encounter between the humans and the Sensorites. The Sensorites want them to stay on the sense-sphere where they will live there until they die but the humans don’t want that and there is a nice moment when the Doctor uses his anger to hurt the Sensorites.
Susan’s telepathy comes into proper use towards the end when the Sensorites contact her directly. Apparently the Sensorites and Susan work out a plan that leads to her going with the Sensorites and the humans surviving. It comes out of the blue and that is what makes it a good cliffhanger. The episode as a whole was good because it continued the atmospheric tension that we saw in the first episode and didn’t just put it to one side now that the introduction episode is out of the way but instead built on it. This story is just as good as I remember thinking the first time I saw it.
There is a moment when John is talking to thin air but he is looking just to the side of the camera. It’s a nice moment. Stephen Dartnell gives a superb performance and it helps add to the tension. It’s good who they have turned the one person who has been affected the most by the Sensorites and as a result is more strange, is the one that they turn to for help. They are still using that stupid little laser blaster to get through the door. Still cant believe they are using something so ridiculously small.
Barbara and Susan continue to be a good double act in the early part of this episode. Working together to calm John down. Susan is the one that comes up with the idea of telepathy and talks about a previous adventure that they have. She talks about the planet Esto. Susan’s involvement in this story is becoming stronger and its nice to see Susan to become better written for after the inconsistent recent episodes.
There is a nice theory about why the Sensorites are doing what they are doing and why John’s hair has turned white. Ian surmises that John has discovered something and they are trying to stop him or the team from going down to the sense-sphere. It’s all down to fear and that they don’t want the humans to go back to earth and bring other to ravage their world. When its explained you sort of understand why they have felt the need to act the way they have and it explains why they don’t actually harm them even though they are effectively kept prisoner.
Ian’s first encounter with the Sensorites is a good one as he is prepared to get violent if he needs to. It’s perhaps the downside of being the action hero of the group that he instantly resorts to this instead of trying to talk and reason with them. William Russell is good in this episode and has some good scenes. As does William Hartnell who’s best moment comes when he is standing up to the Sensorites. It was quite interesting to note that in the previous episode he was having a go a Maitland for the laser being so slow on the door yet in this episode he is a lot more calmer because he understand that anger leaves them open to attack.
Mervyn Pinfield’s direction is very good as he keeps it very tense for large parts of the story. At times it feels claustrophobic and Raymond Cusick does a good job in creating some good sets. The lighting was another thing that helped to create a wonderful spaceship and that credit goes to Peter Murray who keeps it light in the main control room but when it came to the corridor and the sleeping quarters it is a different matter and the lighting makes it look menacing.
We get the first proper encounter between the humans and the Sensorites. The Sensorites want them to stay on the sense-sphere where they will live there until they die but the humans don’t want that and there is a nice moment when the Doctor uses his anger to hurt the Sensorites.
Susan’s telepathy comes into proper use towards the end when the Sensorites contact her directly. Apparently the Sensorites and Susan work out a plan that leads to her going with the Sensorites and the humans surviving. It comes out of the blue and that is what makes it a good cliffhanger. The episode as a whole was good because it continued the atmospheric tension that we saw in the first episode and didn’t just put it to one side now that the introduction episode is out of the way but instead built on it. This story is just as good as I remember thinking the first time I saw it.
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