The cliffhanger saw Ian about to
attack a guard who it turns out had already been killed. The story very quickly
moves on to the bandits that are meant to be attacking soon. After they come and are quickly disbanded
then the action sees Marco Polo and his band of merry (and not so merry) men
and women travel to Cheng-Tu. Judging by
the telesnaps Cheng-Ting looks another nice place. The sets have on the whole
been impressive and that is what makes the fact that this story only exits on
audio so depressing because if this were to be on DVD or VHS then it would
probably rank as one of the all time greats in Doctor Who. Barry Newberry has
to be complemented on what he has achieved. Daphne Dare also deserves praise
because even in the black and white pictures, her designs come off as the sort
you would see on movies.
As we enter the latter half of the story, the action moves towards the meeting of Kublai Kahan in Cheng-Ting. The circuit that the Doctor has been spending an eternity working on is now fixed so the drama moves to trying to get back into the TARDIS as soon as possible. It seems that they’ve forgotten what Marco Polo has got planned.
As we enter the latter half of the story, the action moves towards the meeting of Kublai Kahan in Cheng-Ting. The circuit that the Doctor has been spending an eternity working on is now fixed so the drama moves to trying to get back into the TARDIS as soon as possible. It seems that they’ve forgotten what Marco Polo has got planned.
This episode really gets going
once they get to Cheng-Tu as we are introduced to some new characters which is
what is needed after five episodes. Wang-Lo sounds like a comedy character and
comes across as such. He’s played brilliantly by Gabor Baraker and what puts
the icing on the cake is the way that the Doctor reacts to his news that he has
had the TARDIS moved. William Hartnell had a nice comedy moment after
encountering Wang-Lo, doing a rather funny impression. The relationship between
Ping-Cho and Susan is put on show again when they are examining the fish in
Cheng-Ting, trying to figure out which person looks like which fish. It’s made
even more enjoyable to witness after Ping-Cho gives Susan the key that Marco
Polo doesn’t want them to have.
Tegana continues to impress me
and the way that he sees the TARDIS as his way of getting what he wants. I’ve
gone on about how much I like Derren Nesbitt’s portrayl of the character so I
wont carry on with him but I think that I find Mark Eden’s Marco Polo to be
less grating that I have recently.
The cliffhanger was quite a good
one. After wanting the regulars to get into the TARDIS they finally do but it
was never going to be that straightforward because Susan gets left behind and
cause by Tegana. The plot idea of having them so close to escaping and yet so
far is something that is used in The Daleks when they are about to get away
before they realise that the fluid link is in the Dalek city.
It’s certainly a lot more
enjoyable than the previous episode. It’s not a coincidence that its because
Waris Hussein is back in the directors chair as he does have a way of moving
the story along at a quicker pace than John Crockett did. The whole episode just
had a better vibe to it than the previous episode. The final two episodes
should get the story back on track.
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