So this is the first episode since Adric was killed and what
better way to get over this and celebrate the end of season that having a story
involve Concorde, which was in use from March 1969 until November 2003 (3 days
after Doctor Who’s 40th Anniversary). The thing about what happened
in the previous story is that I would have thought that they would have started
with that. Instead the first shot is of concorde and its rather drab if I am
being honest. As nice as it is to see concorde in my favourite show, I do have
to question the logic of having this in a Doctor Who story. Anyway when the
story does get back the TARDIS, there is a few moments given to them trying to
get over the grief about the loss of Adric with Tegan wanting the Doctor to go
back and the Doctor wont do it. I thought that this was a nice part and they
spend just enough time to show some respect to the character before their
attention is turned to the current story and the running joke in this season
has been to try and get Tegan back to 1981 and finally this is managed.
The sight of the TARDIS at Heathrow is a strange one but I
like it. I also like the crew of the concorde because they are as camp as a row
of tents. I think that they are fun and compared to the crews that we saw in ‘Earthshock’
this crew is a blast of fresh air. The shots of concorde are impressive but
sadly if the production values aren’t as good then it doesn’t really matter
whether concorde is there or not. Towards the end when they land in what they
think is 1982 Heaththrow the CSO effect that is used to transform the
background is pretty poor and that is when the production problems of this
story really start. But there will be more time to talk about that in future
episodes.
Peter Grimwade directed the previous story and has written
this one and its fair to say that he is a better director than writer because
if there wasn’t concorde in this story then there would be nothing of merit in
this story. I think that the episode starts ok but soon loses steam and the
only good thing about what happens in the latter stages of the episode is the
inclusion of a figure which will turn out to be the Master but I think that the
attempt to disguise the fact that its Anthony Ainley is done much better than
in ‘Castrovalva’.
I have never been a big fan of this story and so far nothing
has happened to make me think anything will change. Maybe this might change but
I am worried that this season will end of a downbeat note.
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