Showing posts with label John Simm. Show all posts
Showing posts with label John Simm. Show all posts

Wednesday, 10 June 2015

(756) The End of Time - Part Two

The End OF Time is the final appearance for David Tennant as the Doctor (apart from his 2013 appearance). This is 47th and final episode and is the sixth longest serving Doctor in terms of episode credited to. This is also his 1,468th and final day as the Doctor and becomes stays as the third longest serving Doctor in that respect. It is also the 60th and final episode for Russell T Davies and Julie Gardner as executive producers and the 31st for Russell T Davies as writer and becomes the seventh most credited writer in Doctor Who ever and the most credited writer since the show returned in 2005.

The first scene after the titles have played is set on Gallifrey and it’s the most that we have seen of Gallifrey since the show returned. Sadly the room that the Lord President meets the other Timelords in is less impressive. I suppose that it could be argued that it just means that there is nothing to distract you and your attention could be focused on Timothy Dalton. Dalton’s character is called Lord President for most of the story but it isn’t until the end that he’s called Rassilon.
It’s nice that the drumming was started by the Timelords and he has had this all his lives. It gives an nice explanation as to why the Master has been the way that he has been since he debuted in Terror of the Autons. The idea of using six billion copies of himself to find where the signal of the drumming is coming from is.

When the Lord President arrives on Earth that is what things start to ramp up and soon Gallifrey appears above the Earth and I love how quickly things spiral out of control. The reason why the Time War was timelocked is finally explained and its quite a good one.
Bernard Cribbins is fantastic in this story and the scene where he is trying to get the Doctor to shoot the Master is one of the best scenes in this story. The fact that Wilfred is the one that knocks four times and causes the Doctor to pretty much sacrifice his life is something that would normally make him a terrible character but it shows how close Wilfred and the Doctor have become that he is prepared to do this ultimate sacrifice.

The performance that John Simm gives in these two episodes is much better than the one he gave in series twenty-nine. The Master is used rather well and is quite central to the story but not in his usual way. The fact he gives up his life for the Doctor is the perfect way for the Master to exit the story.
The Doctor jumping out of the ship to crash land into the main room of the Naismith mansion seems a bit of an over the top thing to do but its not as bad as the hover boat scene in Planet of the Spiders. I thought that the moment when the Doctor realises he is alive and then hears the four knocks is a heart stopping moment and the look on Tennant’s face is so sad. When he decides to go into the booth to let Wilfred out it’s a scene that is as emotional as anything in the show since it returned. Even when RTD was trying to be emotional, this was the first time that it seemed to have an effect on me.

The final fifteen minutes is given over to the Doctor saying goodbye to all of the people who have been a part of the show during RTD’s time. I mentioned during the Journeys End review that too much time was given over to the soppy sentimental stuff but that wont happen here. You don’t appear in so many stories without earning the right to say goodbye this way. The first people that he visits are Martha and Mickey are seen trying to dodge a Sontaran and have become a married couple.  That seems like a bolt out of the blue. Next was Sarah Jane and Luke also return and the Doctor saves Luke’s life after he runs into the road. This was nice cause because Elisabeth Sladen does seem to well up and it’s the last time that Sarah Jane would appear in Doctor Who because she passes away the following year.
Captain Jack is in a bar with Slitheen, Judoon, Adispose, the Hath and ends up hooking up with Alonso from Voyage of the Damned. The tune from Daleks in Manhattan is playing in the background. Next up is Jessica Hynes appears as Verity Newman who is a descendant on Joan Redfern from Human Nature. It was perhaps for time reason that they didn’t go back to Joan Redfern and instead went for her granddaughter. Whatever the reason for it doesn’t detract from the fact that it’s a nice moment. Donna gets married (properly this time) and sadly doesn’t notice the Doctor but Wilfred and Sylvia do. The Doctor goes back to meet Geoffrey Noble and I had forgotten that bit and it was a nice touch because Geoffrey would have appeared in the 2008 series had he not passed away. The final encounter was with Rose which was always going to be the case. It happens just before Rose meets Eccleston’s Doctor but I do wonder how Rose wouldn’t remember him later on.

After all the goodbyes are done, the Doctor takes a slow walk towards his TARDIS and I think that this is where Murray Gold’s music works its magic because it builds up and up trying to crank up the emotions of the moment. I suspect that Tennant’s final words as the Doctor aren’t 100% acting. There must have been a part of him during that scene that wanted to carry on but not everything can go on forever. As last words go “I don’t want to go” is a million times better than “Carrot Juice, Carrot Juice, Carrot Juice”. The destruction of the TARDIS was a great moment and this is the last time that it features like this (it makes an appearance later in the next series).
Matt Smith’s opening minute wasn’t the greatest start and I know that there is suppose to be a bit of madness to this part but it was perhaps just a bit too mad. That said I know certain people that I watched this scene with weren’t convinced that Matt Smith was the right person to play the role. It’s hard to judge someone after such a short time but I was convinced that he would prove everyone wrong and now it remains to be seen whether this is still the case.

The End of Time was a good story and I think that it gave Tennant the send off that he deserved. Tennant had a difficult job to do when he took over from Christopher Eccleston in June 2005 but over the course of his time on the show he has helped the show increase in popularity and despite some iffy moments, the Tennant era has been really good and it will be interesting to see how watching the Smith era an episode a day will match up with Tennant’s.

Tuesday, 9 June 2015

(755) The End of Time - Part One

How do you end David Tennant’s tenure in the right way? It’s the sort of question that JNT had to answer when Tom Baker left the series. The way that RTD has decided to mark the end of the Tennant era was to have a two parter which has a combined running time of 2 hours and 15 minutes. The new Mad Max film was shorter. The opening scene starts with Timothy Dalton talking. An actual James Bond is in Doctor Who. Dalton is credited as The Narrator but it’s clear by the way that he is talking that he is far more important to the story than it seems. The Master returns to this story but the thing about the last time he was in the story it seemed like he was done in a permanent kind of way. I remember reading that the Master was suppose to take part in Jon Pertwee’s final story but the death of Roger Delgado put a stop to that.

Bernard Cribbins returns (which is always a good thing). It’s quite good that he gets a credit in the title sequence along with John Simm and David Tennant.
There is a woman that appears in a church scene with Wilfred Mott and her identity is a bit of a mystery. It turns out that the woman is actually the Doctor’s mother. I think that this could have been clearer.

The business of the ring falling to the ground and being picked up in Last of the Timelords is finally addressed and it was picked up by a member of a group of people who are believers of The Master/Harold Saxon. They bring him back and the thing that sets it all off is the lipstick from Lucy Saxon. This is something that I think is a bit of a stretch and that she would still have the Masters imprint on her lips are such a long time. However during the ‘regeneration’ process things wrong and this is what makes the Master mad (I mean madder) and this is what I like about the Master. When the Master is ripping a cooked Chicken to pieces it shows how mad the character is.
There are two people that are totally annoying. I found Joshua Naismith (David Harewood) and Abigail Naismith (Tracy Ifeachor). They are wealthy people and I just cant stand them from the very moment that I first saw them. I quite like David Harewood as an actor as he is very good in Homeland but here he poorly served by a character that is a poorly realised part of the story. The characters get the comeuppance that they deserve when they get taken over by the Master.

The scene where the Doctor and Wilfred are talking about dying is one that I found really good. It shows how good Wilfred would have been as a companion. I know the in-thing that the companion has to be young but he was only about 81 at the time so that’s quite young. Isnt it? The downside of this story is that it’s the last time that Bernard Cribbins will feature in a Doctor Who story. I suppose I will have to enjoy the final episode even more. Catherine Tate makes a sort of cameo appearance. It’s weird to think that just a few days ago she was a companion and now she is reduced to a basically a supporting role. The two cactus like characters have more to do in this story.
President Obama announces a plan to fight the recession. It’s something that gets mentioned a few times and to be honest I couldn’t be bothered with it. The only reason to have it in the episode is that he turns into the Master. When Obama appears there is some clever camera angles to hide the fact that its obviously not the President.

The whole episode builds up to the Master becoming every single human on the planet. It’s such an epic idea and it works really well. It’s odd that a Christmas Special would have a cliffhanger but it is an ending that the story deserves. The cliffhanger sees Timothy Dalton (Rassilon) standing in front of a chamber of timelords. The sight of them is superb and is the perfect way to leave things. I found this episode to be largely good and think that the 75 minute finale will be just as good as it needs to be.

Wednesday, 20 May 2015

(735) Utopia

Utopia is the first in what is technically a three parter and it sees the return of the Master. It also sees the return of Captain Jack Harkness. He returns by literally running and screaming at the TARDIS. I think that Jack is the one that sends the TARDIS to the year 100 Trillion. I commented that 42 was the last story to be directed by Graeme Harper but I was wrong.

Derek Jacobi starts as Professor Yana but becomes the Master. It's hard to believe that he would appear in Doctor Who although having seen him in a rather unfunny ITV sitcom it's not as surprising as it once was. Yana is trying to help people find Utopia. It's good to see Yana knowing that he is the Master although he doesn't know it. Not only does he not know it he doesn't even know that he’s a time lord. There is a gradual build up to when Yana becomes the Master and the fob watch from Human Nature becomes more relevant. The message from the Face of Boe in Gridlock becomes important as well.

I will confess that I didn't put the you are not alone line and Yana together until it was pointed out to me. It's quite clever how things that have featured in this series have led to this episode. The story arc for this series has been better than the previous series.

I thought that David Tennant was ok in this episode. There were a few moments where the Doctor was a bit too arrogant for my liking. I know an argument could be made that he is always arrogant but it's more noticeable in this episode.

There are two groups. There are the humans and then there are the future kind. The humans are a rather sorry group of people who are at the end of the universe and seem to be not far from the end. It's somewhat of a shame that the Doctor is essentially the one that sends them to their doom without realising it. 

The future kind are rather good as they seem to be rather stupid but aggressive. It's not quite clear to me why they are determined to stop the humans from leaving which is perhaps the only aspect of the story that doesn't quite work for me.

It's quite good how sometime has passed and there has been a whole load of Torchwood stuff since then. The flirting gag that was used quite often during his original time on the show is back and used a few times. There is a bit of an issue between the Doctor and Jack. The Doctor doesn't really like he idea that Jack is basically a fixed point in time. That is why the Doctor left and didn't try to find Jack.

The episode really shifts a gear when Yana opens the watch. This is where I think that Graeme Harper’s direction. The incidental music is really good and it's very distinctive. The drumming sound is very good and the fast tempo is a nice change to most of the new series episodes.

John Simm’s brief appearance as the Master is rather fun and energetic. Like Jacobi, it's surprising that John Simm agreed to take on such an iconic role. Simm is a very good actor and it feels like some credibility has been bought to the role.

I thought that this was an episode of two halves because the pre-master story was interesting but not the meat of the story. The actual meat of the story is what I found more interesting and this is where the finale really gets going. The performances were good but I think that the best is yet to come.