(751) Journeys End

Today is the final episode of the series and the final series that David Tenannt would do as the Doctor. This is a longer episode than normal. Just over an hour (1hr 3 min) which is the length normally reserved for the Christmas Special but this episode is given special treatment. Back in 2008 I was happy about this cause it meant 15 minutes more of my favourite TV show but watching it today I don’t think that the story needing that extra time.

The cliffhanger of yesterday’s episode was one of the best one for a long time and sadly that always meant that the resolution of it would be disappointing and to be really harsh on RTD, this was a bit of a cop out. He managed to put the energy of the regeneration into the hand. That hand then becomes a more human version of the Doctor.

The Osterhagan Key is a weapon that is talked about a lot and will basically blow up the Earth. It was never going to happen but it still an effective thing to use in the story.

I don’t know why but hearing Daleks talk in German is quite funny.

This is an episode where Donna is quite central to the story. She starts hearing a heartbeat sound and then manages to absorb some Timelord intelligence which is never a good thing. Seeing her manage to outsmart Davros and the Daleks is quite fun to watch. There is an explanation about the Doctor Donna line from Planet of the Ood. Catherine Tate does a good job of making all the technical jargon sound real and that knows what she is talking about.

It’s quite a while before Davros finally makes an appearance but it’s well worth the wait cause Julian Bleach gets to show us why he’s a great Davros. Davros isn’t really the leader of the Daleks but is instead working for the Daleks which is slightly disappointing because it would be nice to have Davros back as leader. Bleach manages to channel both Michael Wisher (in his voice) and the madness of Terry Molloy’s Davros. I did like the reunion between Sarah Jane Smith and Davros. They met in Davros’ first story back in 1975 and it’s a lovely fanboy moment but probably won’t mean much to many people who are new to the series.

The truth about the Doctor (according to Davros) turning his companions into murderers and weapons. There is a nice glimpse of the people that have died in Doctor Who stories since 2005. It’s a great moment because it does show that the Doctor’s actions have consequences. Ok he can’t control them but the reckless manner in which he roams the universe has consequences.

I had the thought that most RTD finales were ruined by slushing nonsense but in recent series finale’s it hasn’t been as noticeable. The main plot is dealt with and Earth is returned home meaning that there is nearly a quarter of an hour of the Doctor saying goodbye and this is a problem because it did go on way too long. What took the cake was that yet again the Doctor and Rose get their blubbery farewell. If all of that had been cut down then Donna’s goodbye would have been even better. I thought that Donna’s departure is really sad and I found it a more effective end that either of Rose’s. Donna having her memory wiped of the Doctor is very similar to Jamie and Zoe but back then they didn’t have Bernard Cribbins and he was great.

The music from Murray Gold was quite epic in this two parter. I think that this was the peak of his abilities (not that he has gone off the boil).

The visual effects team deserve credit because some of the crucible shots are superb and some of the best that the show has produced. It could easily rival what is seen in a Hollywood movie.

Yesterday I commented that the business with the bees was the first sign that RTD has started to lose the plot a bit and in todays episode there is another example of this. The TARDIS being able to pull the TARDIS like a tow truck pulling a broken down car is another moment where I really scratch my head wondering just what was going through RTD’s head. On the plus side there is a lovely shot of The Doctor (both of them), Donna, Jackie, Rose, Martha, Sarah Jane, Mickey steering the TARDIS with help from K9. The music is lovely and another example of how good Murray Gold is.

This was a good two parter and did a good job of using Davros and the Daleks and making it seem like the most important Doctor Who story ever. I do think that it was fifteen minutes too long and that the cliffhanger wasn’t resolved in the way that it should have been but the performances were all really good and this series as a whole has been quite good but not as strong as the previous one.  Now I am about to embark on the specials which spell the beginning of the end for the Tennant era.

(723) Doomsday

Whether you like her or not, you cant deny that Billie Piper has had an impact on the new series. In the month that I have been doing this where she has been a part of the show, the one thing that was clear was that she has been more involved in the stories than any of her predecessors. Even Ace wasn’t able to pout and throws strops quite like Rose. Ok I am on the Anti-Rose side of the argument. This is the story where Rose is written out and I was severely tempted to have a sick bucket by my side as I watched this. The problems with this story largely stem from Rose. The first shot is of her standing moodily on a huge rock on the beach. Quite why she’s stood there like the welsh statue of liberty but that’s for another time. This story should really have been about the first proper encounter between the Daleks and Cybermen.

The sight of Cybermen walking through the streets is a great one and one that would have looked great in the classic era. It’s slightly frustrating that they don’t seem to walk quicker or run. I know that they run in a Matt Smith story but watching this today it seems really slow how they move.

The Daleks aren’t there to just make up the numbers. They have something called the Genesis Ark and that is quite is the more interesting aspect of the episode. The four Daleks that appear are the Cult of Skaro who are meant to be greater than the emperor. I think everyone had spent the week between this and the previous episode trying to guess what was inside the Genesis Ark. I didn’t guess that it was in fact a prison containing millions of Daleks.

The encounter that takes place with the Cybermen and Daleks happens quite early in the episode. It’s weird that neither side knows about the other. After all they have done in the universe its weird that they haven’t bumped into each other at some point. It was clear that they were never going to work together although I confess that I am slightly disappointed with this. It would have been cool to see a Dalek/Cybermen coalition. Sadly apart from a few moments they don’t really have much to do in terms of driving the story.

When Rose makes the decision to leave her mother in the parallel world, there was a part of me thinking that if things had worked out differently then she would have nagged the Doctor to try and find a way back. That obviously didn’t happen and we have the goodbye scene between the Doctor and Rose but the Doctor isn’t there. Although his hear is blowing in the wind so he is clearly in front of Rose. It’s a prolonged and frankly boring scene which only serves Rose the chance to get all blubbery and over emotional. She’s not happy that she’s stuck with Mickey, her dad and her mom and doesn’t care that worlds would end if the Doctor tried to get her back.

There is a bit where Yvonne Hartman as a Cyberman shoots all the Cybermen and as she is shooting, there is a tear coming out of the eye. It’s an oily tear but it’s a wonderful moment and is still impressive today.

There is a cool video about how Doomsday should really have ended. It can be found on YouTube https://youtu.be/QfK8y7KVADo . The final six or seven minutes starts a trend that carries on for the next two series finales where the main threat of the story is over and then there is way too much time given over to sentimental drivel. The very last bit of the episode sets up the Christmas Special in a way that I don’t think many people saw coming and that was with the sudden appearance of Catherine Tate in a wedding dress and even the Doctor is confused.

This episode is one that I find confusing to decide what I think about it. I think that it was good to have a Dalek/Cyberman battle but think that it was wasted because Rose was the centre of the story and the best thing about her leaving is that this wont be the case for a while. This season hasn’t been as strong as the previous one. I think that there were some good episodes but it didn’t have the enthusiasm and the energy that the previous one did. If memory serves me correctly then the next series is a much stronger one and more importantly, it doesn’t feature Billie Piper. Tomorrow sees the next Christmas Special and an interesting one.

(722) Army of Ghosts

This is the story of how I died are the words that were used in the NEXT TIME trailer in the previous episode and it gets used in the pre-title sequence. It’s clear that this scene happens at the end of this current adventure so there’s a nice journey to be had to see how she gets there. This biggest selling point of this story is the return of the Daleks and the Cybermen in the same story at the same time. It was always a question as to who would win if these two got into a fight and this story would give us the answer. As you would expect they don’t make an appearance until quite late in the episode which is rather frustrating but more of that in tomorrows review.

This story has a lot to do in two episodes, it has to write Rose Tyler out of the show and introduce and set up Torchwood properly and also give the series the finale that would match what we got in the previous series.

The episode starts off normally enough with the Doctor and Rose arriving back on earth with ghosts appearing out of nowhere. Sadly there is a moment which didn’t bother me at the time but now it does and its when cameos appear on TV. Way back in Aliens of London we had Matt Baker on Blue Peter and Andrew Marr on the news, now we have Derek Accorah (some BS peddler), Alistair Appleton (Cash in the Attic) and Barbara Windsor (Eastenders).

One of the more interesting things about this episode is that it marks the first appearance of Freema Agyeman who becomes the third person in Doctor Who to have started out as one character and then returns but in a different role. She soon get taken over by the Cybermen and then ceases to really have any purpose in the episode. In fact so little that she is killed before the episode is over. There is one slight issue with Torchwood. Torchwood is such a powerful organisation that it doesn’t notice when the Cybermen have set up a mini-conversion base in their building. On a positive note its typical Cybermen. They start small and use whoever is around to bulk up their numbers.

Mickey returns at the end of this episode with no explanation and a new name. He also manages to sneak a massive gun into the room where the sphere is and where he is working. The security is conveniently mixed because it doesn’t spot this and the Cybermen but it can tell when someone is using Psychic paper. Billie Piper’s penultimate episode in her original run is good for her because she gets to be a bit investigative even though she’s rubbish at bluffing her way into places.

The comedy is very well placed in this episode. If only it had been like this in Love and Monsters then I would have thought differently about that story. In this episode its typical RTD and by that I mean there are occasional gags which are delivered well by David Tennant. One of the more memorable ones is when the Doctor is trying to pass Jackie off as Rose and this gives the Doctor the opportunity to make some cheap gags.

The final few minutes are the best of the entire episode. It’s when we find out what is in the sphere (although thanks to the Radio Times we knew). When the ghosts are revealed to be Cybermen there is a wonderful few moments where the music helps create a feeling that Cybermen appearing all over the world is the epic moment that it should be. I liked this episode because it perfectly entertaining in the first half and really good in the second. If you compare this to Bad Wolf then this is miles better. I am hoping that tomorrows episode ends this story in the way that it should.

(716) The Age of Steel

Todays episode pretty much hits the ground running with the Doctor, Rose, Mickey, Ricky and the bloke from Blue Peter run into the getaway van. The scene that follows show that Pete Tyler has been feeding information to Ricky. Ricky’s death was somewhat inevitable and this means that Mickey has to step into his shoes which bearing in mind what he has done since his first appearance

Lumic goes from being in his chair to being the Cyber Controller. His reluctance is perhaps ironic. When the Cyber Controller appears the chair is something that doesn’t look dissimilar to the throne in Game of Thrones. It’s over the top and just looks a little bit naff. The design of the Controller is rather good because you can see its brain and also its eyes are lit up.

I found Mrs Moore to be quite nice in this episode and thought that she could easily have become a companion. Her death is one that I didn’t see coming and her best scene comes when she and the Doctor examine the Cyberman that the just killed. The Cyberman’s name is Sally and she was getting married which just made the horror of what was going on even worse. This slant of the character is something that had never really been examined before.

The way that the Cybermen are defeated is having their emotional inhibiters disabled and can see what they have become thus causing them to feel pain. It’s a great way of defeating the Cybermen because it forces them to deal with the thing that they can’t deal with. The Cyber Controller tries to catch the Doctor after he has climbed up a ladder on a zeppelin. Only in Doctor Who would you have a scene that involves a Cyber Controller and a Zeppelin.  

What makes the Cybermen’s plan seem plausible is because there are so many Cybermen on screen. The best thing about new Who is that there isn’t three Cybermen or three Daleks to invade somewhere. In this story there are hundreds of them and it really adds to the effect. The visual effects to realise the machines used to convert people is very good and again this adds to the effect of something truly horrible being created.

The performances from the regulars have been mixed. I haven’t found Billie Piper to be as annoying as she was in yesterdays episode but this selfish streak that there seems to be in the Rose character is something that has only now come to my attention or at least becoming something that has bothered me. David Tennant has run around these two episodes in his usual manner but his big scene with the Cyber Controller was arguably his strongest. Noel Clarke’s final scene is really good. He decides to stay because his Nan is alive and he thinks that he is more useful than he would be back home. He knows that he will never be able to compete with the Doctor for Rose’s affection. I think that Mickey would have been better served if this had been his last story because this scene was just right in terms of performance and dialogue.

These two episodes have shown that despite it being 21 years since he last directed a Doctor Who, Graeme Harper has lost any of his ability to direct a great story. The Cybermen’s return has been a good one with a story that has restore some of the shine to the Cybermen after some of the rust that has affected the steel monsters. This is one of the strongest Cybermen stories since Attack of the Cybermen and in the ratings I give these stories this comes out better than The Invasion with this two parter getting an average score of 7.78 and Invasion getting 7.74. In reality I would say that Invasion is slightly better but that average score is over eight episodes whereas Rise of the Cybermen and Age of Steel are just two episodes so its not fair to compare them. Now the Cybermen and Mickey are out of the way, the series can settle back down and go back to 1952.

(715) Rise of the Cybermen

Rise of the Cybermen marks the return of the Zygons. Of course it doesn’t but if I have ended that sentence with Cybermen then you would have been thinking duh!!. This episode was originally aired in the 40^th anniversary year since they made their first appearance on the show. It’s fair to say that the Cybermen have often been the unwanted child of Doctor Who. Whilst everyone was obsessed with the Daleks, the Cybermen were often overlooked and it’s bizarre when you think of the stories that they appeared in during the Troughton era. Ok so there were a couple of dodgy stories, but on the whole they have been very good. This story also sees Graeme Harper return to the show making him the only writer/director from the classic era to have contributed to the new series.

John Lumic is the creator of the Cybermen in this story and like Davros he is in a wheelchair although this was due to an accident that Roger Lloyd-Pack had just before filming. It is a bit of serendipity.  The pre-title scene shows how he has the same scruples that Davros has.

Mickey’s poor treatment really shows why he wasn’t long for this show. The Doctor and Rose are giggling to themselves at the fact that Mickey has been pressing a button for 29 minutes longer than he needed to. The Doctor, Mickey and Rose arrive on a parallel world and within a minute I was starting to get irritated. The moment when Rose realises that her dad is alive she goes into selfish mode. Even though its not really her dad it doesn’t stop her at all and I just wish that she had run off into the distance and never come back. The Doctor says to her that Jackie and Pete might have their own Rose and they do but it’s a dog and that dog is less annoying than Rose the human.

There is a nice bit of continuity in this episode. The lorry that Mr Crane collects people up in is from International Electromatics which is the company that Tobias Vaughn was using a front in The Invasion.

Mickey’s exit starts when he goes to try and find his Nan who died in the real world. He goes off on his own little adventure when he is mistaken for Ricky. It’s quite fun when the two Noel Clarkes meet up. If you didn’t know what was going to happen when this happened then you really aren’t trying. Even I knew what was going to happen.

The design of the new Cybermen is very good. I like them because they look modern and the fact that they make a noise when they walk is something that should really have been done a long time ago. The big reveal is held off until the very end and it’s done in great style. I think that it’s one of the best build ups that the show has had since it returned. The Cybermen smashing through the glasses is a fantastic sight and Graeme Harper has done a great job in making the final few minutes of this episode some of the best since the show returned. The best thing about the design is the tear drop design on the eyes but I also like the voice and the blue light that appears when they talk.

This has been a really good episode with only Rose ruining it. The build up to the Cybermen making their first appearance in the episode is done well and the final few minutes are as I said before really good. I am looking to tomorrows episode because if it goes as well as todays then I think that this might be the best two parter since the show returned in 2005.

(710) The Christmas Invasion

So today I start the David Tennant era and I yesterday I said I wasn’t going to watch it but I cant think of a proper reason why not so instead of just watching it as an episode and then waiting until tomorrow to watch the opening episode. This is technically the first episode for David Tennant although its only eight minutes long and nearly two minutes of that is taken up with the reprise and the titles. It’s not fair really to rate this episode as it only serves a purpose in telling fans what happens between the regeneration and the TARDIS crash landing in the Christmas Invasion.

David Tennant in Christopher Eccleston’s costume is odd and its good that he doesn’t stay in it for long. I suppose that one thing this episode does is get through the inevitable ‘its not the Doctor thing’ although it does carry on to a certain extent in future episodes. It’s an interesting portion that doesn’t really add anything and if you hadn’t watched it at any point then you wouldn’t have missed anything.

Due to the success of the previous series, a new series was commissioned but also a Christmas Special was added to the list. This was only the second time in the shows history that it had aired on Christmas Day but this was designed as a Christmas Special and not just a throwaway episode in a twelve part Dalek epic. At the moment its late April and the sun is shining and the weather is warm so its slightly odd that I am watching an Christmas episode now. With the special being 15 minutes longer it means that there is more time to tell the story and the opening scene is quite good cause the TARDIS crash lands and Jackie does the first Doctor Who gag of the new era. The new Doctor spends most of this episode in bed which probably wasn’t how David Tennant thought he was going to start his time.

Penelope Wilton returns as Harriet Jones but this time as the PM that the Doctor talked about in World War Three. She’s doing the same joke of introducing herself but the joke is suppose to be funnier because she’s the most famous person in Britain. Even when she’s delivering a sombre Christmas Day speech she manages to slip in some gags. She asks about the royal family and after a pause she turns to the camera and says that they are on the roof. It’s quite impressive how RTD manages to put jokes in when it seems to be totally inappropriate.

The Robot Santa’s are a wonderful design as its just a bonkers idea but one that works and it works so well that RTD brings it back the following year. Another great thing that happens in this episode is the attacking Christmas Tree. Only in Doctor Who could an aggressive Christmas Tree feature in a Christmas Day episode. The main threat of the episode are the Sycorax who are a good looking monster. They show their credentials as villains but hypnotising a group of people to walk to the edge of high rise buildings and threaten to make them jump.

When the Sycorax ship arrives on Earth the way it is shot is very much similar to Independence Day when the ship is hovering over New York City. This is when the episode starts to take a step up because its when things start to go a bit wrong. It’s quite good how they manage to get the Doctor, Rose, Mickey and the TARDIS aboard the Sycorax ship. It’s also quite good how they manage to get the Doctor up and mobile and really into the story. His first scene when he is himself is great cause it starts his time in the show properly. Tennant has a great skill of balancing drama and comedy. I had always been unsure about Christopher Eccleston’s ability to do comedy but I overcame that but I have never been in doubt about Tennant’s comedy ability and he seems to be able to do both very well and its hard not to like the Doctor when he is doing comedy.

It’s nice to see the Doctor doing a bit of sword fighting. When he was doing the fighting I was reminded of the sword fighting that Jon Pertwee’s Doctor and the Master did in The Sea Devils. This was better because it was more dramatic. This fight sees the Doctor lose a hand (something which becomes handy in Torchwood and a future Doctor Who story) but RTD creates a new piece of Timelord mythology when in the first 15 hours of a regeneration cycle he can grow back his hand.

Torchwood gets started in this episode with Harriet Jones mentioning them. It is responsible for destroying the Sycorax ship and this is an important moment because it is when the Doctor angry and it sparks the end of the Harriet Jones regime. Torchwood is the story arc for this season and it makes much more sense than the Bad Wolf arc.

I love the scene where the Doctor is trying on clothes. The song is nice and sung well and it blends in well with the Christmas dinner. Everything seems to be back to normal now and the troubles of the Doctor regenerating is sorted. The final scene sees snow falling or ash as it turns out to be but its looks like snow so that definelty makes it a Christmas special. It’s a nice end to what has been a rather good Christmas special. It did what it needed to do and did it well. It starts the Tennant era off in fine style

(709) The Parting of the Ways

So this is the end for Christopher Eccleston. After just thirteen episodes, I have reached the end of the ninth chapter of my marathon. I think that this is an important episode for two reasons, it has to end the season off in the right way and it also has to give Eccleston the ending that he deserves. With the Daleks not appearing until the end of the previous episode it means that they hit the ground (or air) running from the very beginning and its great to watch.

The Rose I’m coming to get you line from the previous episode is rather cheesy in my opinion. It’s the only thing that Christopher Eccleston does wrong in the two episodes.

The effect of the rockets hurtling towards the TARDIS in a game of chicken is a great moment and shows that this wasn’t a cheap episode. The Dalek being exterminated inside the TARDIS isn’t something that gets the credit it deserves. People might moan on about the temporal grace thing but that’s nonsense anyway and it’s a great moment. A funny moment comes when the Anne Droid destroys a Dalek. It’s quite impressive that RTD managed to find time to put a gag in.

There isn’t a moment when the visual effects disappoint. The shots of the fleet surrounding the Gamestation and the millions of Daleks approaching it are some of the finest in Doctor Who history. This is the sort of thing that they would have killed for during the 60’s and 70’s but thanks to technology being cheaper its now achievable.

The Daleks are quite interesting in this story because they aren’t pure Daleks because they have human genes in them. They start talking about god of all Daleks and blasphemy which isn’t something that I would have expected the Daleks to go on about. The Oncoming Storm is the Doctor’s name on Skaro and it’s a great name and it fits the current Doctor. The Doctor shows no fear in front of the Daleks but has a harder time of doing this in front of the Dalek Emperor. This is the same Dalek Emperor (supposedly) that was seen way back in the 1967 story Evil of the Daleks. The Daleks are unstoppable and its difficult to see how they could be defeated. It’s the first time for an awfully long that they have come across like this. There’s a great scene where some Daleks pop up into Lynda’s view of space and with a chilling silence they smash the window and as a result kill her. It’s another impressive visual.

Rose has gone back to being annoying again. The jealous looks that she gives when Lynda is showing some signs of friendship towards the Doctor. It’s all about her and to show how annoying she has become I actually found Jackie to be perfectly normal. The scene with her, Jackie and Mickey show is one that is saved by Noel Clarke and Camille Coduri and almost ruined by Piper. Rose admits to Mickey that there is nothing on earth for her right in front of him. I think I have joined the Anti-Rose group because that was a horrible thing to say.

The Doctor does his best to try and protect Rose by fooling her into the TARDIS and sending it back to her time. It is perhaps the most selfless act that the Doctor has done ever. The hologram scene with the Doctor is a great scene because it’s the first goodbye really and it’s quite sad. Even a cynical person like me found it slightly moving. It’s when the Doctor changes which way he is looking which makes the scene work.

This episode sees the Doctor and Jack kiss in what would be Jack’s final scene with the Doctor and Rose. It’s interesting in 1996 when the Doctor kissed a woman and the furore it kicked up and in 2005 there didn’t seem to be much drama which is a good thing really. This was probably the case because its wasn’t sexual but just friendly. It’s typical that just when Jack stops being annoying that he leaves the series. Obviously going off to be in his own series but it would have been nice for him to travel with the Doctor a bit more.

Rose ends being the one that causes the Doctor to regenerate which is probably another reason why people dislike her. I think that it was a clever way to get into the regeneration scene and shows that the Doctor is willing to sacrifice his life for his companion. I haven’t gone soft again on Rose but to be fair to her it is perhaps the only good thing that she does in the whole two episodes. She has seen into the heart of the TARDIS which is a great idea and its achieved rather well.

The regeneration scene is rather good and quite sad. I think that I know when the show has worked when the regeneration has a moving effect on me. In just thirteen days, Christopher Eccleston has done what William Hartnell did back in 1963 and set the benchmark for what the Doctor should be like. In a recent interview, Eccleston says that he is in David Tennant, Matt Smith and Peter Capaldi and I understand that because without his superb performances there wouldn’t have been future series. David Tennant’s first scene seems quite tame in comparison to other post regeneration debut scenes but we would have to wait until the Children in Need special to get a glimpse at what the Tenth Doctor would be like. For the record I am going to skip that and I will explain why in tomorrows entry.

One final thing about Bad Wolf. Why Bad Wolf? Why those two words, they could have been something far less subtle and as a result it would have made a bit more sense. Oh well, now I have finished the Eccleston era, I don’t have to worry about it. It’s weird to think that I am at the tenth Doctor era and at the beginning of April I was watching the Seventh Doctor and I will be ending it watching the Tenth Doctor. The Eccleston era has been a triumph and it shows that Doctor Who was ready for a 21^st Century audience

(704) Fathers Day

The Doctor takes Rose to November 7, 1987 where Rose’s dad was killed and this is an episode which builds up the Tyler backstory in a way which yesterday I thought was going to be a problem. There have been episodes that I have feared in some shape or form and this is one of them.  Using a hit and run in primetime is quite a brave thing to do and to do it repeatedly is even braver.

The Doctor is the one that goes over his own timeline when Rose batters her eyelashes and jumps out in front of the other Rose and Doctor to stop her dad from being killed. Everything that happens in this episode is down to what he does. You would have thought that after all this time he would have known better but I guess everyone can be wrong. Pete Tyler is basically a Del Boy type person. To be honest a first I didn’t think the Doctor Who world really needs Rose’s dad but as the episode progresses he becomes more interesting and despite Rose’s best efforts, I quite like the character and I even found myself liking Jackie.

There is a running gag where Pete is trying to hit on his daughter and only Rose (and the viewers) know why this is a terrible idea. They do a good job of trying to skirt around the issue but it’s not long before Pete knows the truth and so does Jackie which makes for a rather amusing face-off between the three. Pete ends up knowing that he needs to die in order to save the day. It’s not so much an alien threat episode but it’s more of a family bonding episode with the Doctor as the guest character.

After about 10 minutes of doing very little it seemed like this episode was going to be worse than I had feared but thankfully things do start to pick up. The episode only gets going when the reapers start to appear. On a visual note, the reapers are really good and the VFX team work wonders making them look as natural as they can. They appear when there are damages in the timeline and they ‘sterilise the wound’. It’s a great idea from Paul Cornell and helps save the episode.

There is a bit where the Doctor is taken by the reaper and this means that he is out of sight and this gives the Tyler’s the centre stage and I have to admit it that I found the final few minutes to be engaging TV. I might be a bit of a heartless sod but I just couldn’t get emotional about what was happening but even I am not that heartless to think that it was a good piece of drama.

This is an episode which has a lot that I could do without but the performances from Shaun Dingwall and Camille Coduri along with Christopher Eccleston and Billie Piper help make this at worst an average episode. From my original memory of this series, this was the weakest story so in effect this should be the end of the weak episode and the quality should start going up until the finale. Tomorrow’s episode sees the first story from the Grand Moff and also what I think (and hope) will be the best of the two parters in this series. The NEXT TIME trailer made me wish I could just watch the next episode now even with the knowledge that Captain Jack is about to enter the show.

(701) World War Three

The NEXT TIME trailer at the end of the previous episode still bothers me because it basically tells people not to bother watching because you know that the Doctor is OK. The Doctor gets out of his predicament (which we knew he would because of the NEXT TIME trailer) before the titles play. I think that it’s a good way that he gets out of it because he saves himself and as a result saves Rose, Harriet Jones, Jackie and Mickey.

There is one scene between Green and General Asquith which is really strange because its not something that seems to belong in a Doctor Who story.  

Green: I need to be naked

General: Rejoice in it. Your body is magnificent!

The list of people rolling up to Downing Street is still amusing as there are some that make sense but Andrew Marr’s second appearance ends with him introducing Sylvia Dillane who is Chairman of the North Sea Boat Club. Russell T Davies sprinkles little jokes throughout the episode and the humour is well place which isn’t something that I would have expected to be writing about a Doctor Who episode.

The Doctor starts mentioning that he knows the name Harriet Jones. It’s not until the end that he reveals who she would go on to be. When I watched this back in 2005, I remember thinking that it would be good to have her back in the show against. The Doctor starts to appreciate Mickey. When he calls him Mickey the Idiot towards the end of the episode its almost done with affection. I think that the Ninth Doctor and Mickey have a rather frosty relationship even at its best but Mickey has a better relationship with the tenth Doctor.

The outside of 10 Downing Street does pass for the real thing until they do a long shot which shows that its not quite the real Downing Street which does slightly take me out of the story but at least they have tried to make it look like Downing Street instead of just filming it in just a studio.

Jackie has a go at the Doctor for thinking this is fun life for him and that he’s dragging her daughter into it and I like how later on he replies by saying that it’s not fun or glamorous. The Doctor has had a battering from Jackie in these two episodes but I think that by the end of the episode their relationship is ok, not perfect but better than it was at the beginning of the previous episode.

I forgot that the Doctor offers Mickey the chance to come on board the TARDIS. He turns the offer down but boards it in the next series. When the Doctor pretends he doesn’t want Mickey to come on board to spare Mickey’s blushes, Rose doesn’t put up much of a fight which I find surprising. It’s a scene that is the proper goodbye that Rose should have had in the first episode and its more memorable because of Christopher Eccleston and Noel Clarke who

The episode ends on a rather downbeat note with Rose walking out on her mother and boyfriend. Even the music is downbeat so its hard to feel anything positive when the credits start to roll. The first two parter of this new series isn’t the greatest. Even if I base it on its own merits instead of comparing it to other two parters it is still lacking something. There are things to like in these two episodes but it doesn’t quite have enough to be classed as an early classic. These two episodes as well as the opening episode have been directed by Keith Boak who hasn’t returned to the series since and on the basis of these two episodes its not hard to see why because they aren’t directed with particular pace or excitement. They are nuts and bolts episodes and that’s not necessarily a bad thing but it just doesn’t work in this two parter.

The next episode sees the return of the Daleks and whereas the previous NEXT TIME I didn’t like it, that isn’t the case for this trailer because it shows that the Daleks are back and in a different way to what we have seen in the past. Tomorrow cant come quick enough.

(700) Aliens of London

The thing about the new era of Doctor Who is that the stories are mostly single episodes with the exception being the occasional two parter. So with single episode stories being the norm, it means that the two parters pick up a new meaning and excitement. Today is the shows 700^th episode and the show has changed since the 600^th episode which was the first episode of The Kings Demons. Wow there is very little the same apart from the fact there is the Doctor and the TARDIS.

The Doctor takes Rose back to the council estate that she lives on thinking that it’s only been twelve hours since the events of the opening episode. The first few minutes with this idea is quite fun but the good news is broken when the Doctor realises that it’s been twelve months and not twelve hours and Jackie has a shocked look on her face. The Doctor is quite funny when he breaks this news to Jackie and Rose. The advantage of having 90 minutes is that there is time for a slower build up and it means that there is time for family domestics. Russell T Davies wanted the family dynamic thrown into the episode to be an anchor for Rose, giving her a reason to return to Earth.

The term companion sounds dirty in this episode when the Doctor announces to the police that he Rose is his companion and the policeman asks if it’s a sexual relationship. I think that this pretty much retires the term as well as assistant. Friend is the term I will be using from now on to describe future people who travel in the TARDIS.

This is another episode that shows the new series means business in terms of what we see on screen. The effect of the alien ship crashing into Big Ben is one of the most memorable ones from this season. The shot of the ship crashing into the Thames is also well done and I saw Doctor Who Confidential (remember that) and it showed how this was achieved and it’s a simple yet effective visual effect.

This episode sees Naoko Mori play Doctor Sato and it’s a character that she would play in the Torchwood spin-off. Again watching this back in 2005, there was no way anyone watching would have known that she would go on to be in the Torchwood spin off but it’s a good performance from her.

Joseph Green who has the job title of Minister on the Monitoring of Sugar Standards in exported confectionery which is the best job in politics (if it existed of course). This is a bit of RTD having some fun with less than minor details. Green becomes Prime Minister because of the un-named PM (supposed to be Tony Blair). I think that he is an effective baddie. The other Slitheens are all good as baddies but its Green that is the standout character. Penelope Wilton makes her first appearance as Harriet Jones. Wilton is a superb actress and she brings a nice warmth to the show and stumbles into the adventures. I think its funny that she introduces herself to everyone and holds her ID card. It just makes me like the character even more.

UNIT make their first appearance since Battlefield and I like how the Doctor stumbles into a room where they are all resting and waits for them to pick up their guns and point them at him. Moments later he acting in charge calling in the shots although he doesn’t know its UNIT. Despite the slow reaction time with the soldiers and the Doctor, UNIT don’t come across as the bumbling outfit that they use to come across. I think that I miss that.

There are a couple of cameo appearances. Firstly there is Andrew Marr who is currently appearing in his own political talk show on Sunday mornings on the BBC and Matt Baker who was in Blue Peter on this episode but now is the co-host of the One Show. This is the sort of stunt casting that I like as its relevant to the story and they are not too important to the story.

If there is something that has always troubled me about the Slitheen then it’s the breaking wind that regularly happens. It’s a fun idea that they are squeezing themselves inside human skins and the effect of then unzipping from their foreheads is one of the things I like about the Slitheen but it’s just the farting which seemed a bit childish.

The cliffhanger has a nice build-up of a few minutes where in three different areas, the Slitheen are finally revealed and it’s he right point for them to do this and the final shot is of the Doctor and the other members of UNIT being electrocuted. The NEXT TIME trailer is put in a rather stupid place because within seconds of the cliffhanger, the Doctor is shown to be perfectly fine and running around. I think that it was Steven Moffat that pointed this silliness. It’s a shame that this was done because it just takes out the immediate threat that they spent 45 minutes build up to. I think that this is an important lesson that RTD, Julie Gardner and Mal Young have learnt. This is more of a build-up episode because 45 minutes is spent setting up the characters and the setting. If this were the classic era then this would have two episodes into a four parter and in those stories it is in the third episode where the story starts to build up. There was a bit better pacing in this episode and as a result it seemed like a slightly stronger episode as a result.

(698) The End of the World

So after the initial buzz of the reboot, now we get to the meat of the new series which is whether it could stand up with new stories and new monsters. It’s interesting that the Doctor is basically turning into a galactic taxi driver, asking Rose where she wants to go. The Doctor ends up taking Rose to the day that the Earth dies. Literally the end of the world. The Doctor isn’t quite the cheeriest person to go on a trip with. The Doctor delivers a nice bit of exposition where he talks about how there is a trust that has kept the continents of Earth and now the money has run out its being left to blow up. Rose brings up a nice point that the continents drift and being five billion years in the future then surely they should have moves, she even mentions that she saw something on Newsround Extra.

This episode introduces the Psychic Paper which is a great creation from Russell T Davies as it becomes the new series version of the Sonic Screwdriver. I think the problems that people have with the screwdriver is the same problem that I have with the Paper. It’s just too convenient for my liking. It’s amusing at first but after five years of seeing it, the prop becomes too simple a plot device. This is an episode which introduces Rose to aliens and in a way introduces new fans to the sort of aliens that they are This episode sees the first appearance of The Face of Boe which having watched the show since it returned I know now that this is in fact Captain Jack Harkness if you believe that nonsense. I can remember being disappointed with the Moxx of Balhoon because when I first saw the picture of this creature I thought that it would be the new series version of Sil but in fact he’s a bit of a disappointment.

The visual effect of Cassandra is something that is astonishing. In fact this entire episode is very astonishing. The engine room set is particularly impressive because its looks so vast. Zoe Wanamaker is the voice and makes the character work. It’s hard to like her but that’s why she is such an effective villain. There is a question of who bought the spiders on board and its obvious that it was Cassandra. That was rather disappointing from Russell T Davies. Another that doesn’t quite work is the rather clichéd fact that a switch that would save raise the shields just before the Earth burns is at the end of a very long path with a lot of propellers. I heard that this film has more visual effects than the film Gladiator. It’s clear that this was a very expensive episode and it needed to be to pull it off. I loved all the external shots and also the effect of the earth blowing up looked stunning.

The phone call that Rose and her mom has is quite nice and I don’t find Jackie as annoying even though she’s only in it for less than a minute. Rose becomes a proper companion in this episode when she gets put in danger.

This episode feature the first mention of Bad Wolf which is the first series story arc. It’s a sort of blink and you’ll miss mention but it’s there. This episode starts the backstory for the Doctor. We learn in this episode that he is the last of his race and that there was a Time war. The moment when Eve calls the Doctor a Timelord seems to motivate him quite a lot which was a nice moment. The moment when the Doctor announces this is a fantastic scene and it’s delivered superbly by Christopher Eccleston. It’s a huge bombshell and I can remember thinking that its perhaps the biggest change in the show for quite sometime. I remember actually thinking that this does back the show into a corner which it was going to find difficult to get out of.

The music in this episode is rather interesting. We have Tainted Love by Soft Cell (or a different version of it) and Toxic by Britney Spears. When I first started watching Doctor Who, I never ever thought that I would hear Britney bloody Spears in Doctor Who. It’s a sign of the times perhaps.

Christopher Eccleston is again very good in this episode. He seems to be having fun when watching Rose meet all the aliens for the first time and when Jabe dies it changes the Doctor and he becomes rather more aggressive. He manages to get Cassandra back and allows Cassandra to die. “Everything has its time and everything dies” is a line that I wouldn’t have expected from the Doctor but it ties in with the new more hardline Doctor which has become the norm now but wouldn’t have worked in the 1980’s. After being sidelined to an extent in the previous episode, this is where Eccleston gets to show us his Doctor and its great to see.

This has been a good episode but it doesn’t quite have the energy that the opening episode had but again this episode did what it needed to do and introduce a new audience to what the show is about. Now the enxt episode is going back into the past and I think it will be another example to new fans about what the show can do.

(697) Rose

If I am being honest, then I am really excited that I have reached this part of the marathon. I am sad that I have left the classic era but there is something fun about watching episodes that I have watched within the last decade. In fact today’s episode aired 10 years and three weeks ago. The debut episode of the Russell T Davies era was one that I was as excited as I had ever been about Doctor Who. The trailers had aired on BBC TV and there had even been billboards that I had passed everyday going to and from work. There was even a bit of hullabaloo about the episode leaking online just days before it was transmitted but I was a good boy and didn’t take a sneak peak. I can also remember in those days being obsessed with any pictures taken of what was going on. One final thing I remember is that Graham Norton’s voice appeared during Rose’s first encounter with the Auton’s.

There is a lot to talk about so I might miss some of the things so let’s start from the beginning. The theme tune is fantastic and I think it’s one my favourites of the new era. It’s a rare instance of this episode being named after a companion and nowadays having no pre-title sequence. When the episode starts it is in space and zooms into Rose’s bedroom. The episode is designed to be seen from Rose’s point of view. The first couple of minutes are designed to show how dull her life is but it takes about five minutes for it to become interesting when she meets the Autons and then is saved by the Doctor. I think that Christopher Eccleston’s first appearance is good and in keeping with the new run style that modern day Who has adopted.

I like Christopher Eccleston’s performance. When you consider the shows he has worked on in the years before and after then its amazing that he wanted to play the role even its for its for just one series. What is impressive is that it comes across naturally and he does the comedy just as well as the serious stuff. There is a bit where Ecceleston is talking about the earth spinning and he says it in such a way which shows that his Doctor is just as good as those that have come before it. Ok let’s address the costume because it’s the first time in a long time that the costume hasn’t been the talking point of the Doctor. Not since the Tom Baker costume has a costume been less noticeable. Even ten years later it’s still a costume that looks good.

Another thing I should address is the new TARDIS console. It’s breath-taking and there is no other way of describing it. It takes 26 minutes for the TARDIS console room to appear and the first time Rose sees it is the first time we see and the camera moves around like we are in awe of what we have seen. The fact that its so big means that its possible to film scenes in the TARDIS from whatever angle possible. It’s so good now that when you walk through the TARDIS doors that you go straight through to the console room and the doors match. That was a major consistency problem during the classic era where the doors inside the TARDIS console room are huge and yet the outside the doors are tiny.  It’s also nice now that when we are outside

This episode marks the first appearance of the Auton’s since 1971’s Terror of the Autons. It’s quite a good choice of RTD’s to use the Autons because they are a good enough villain that long-time fans will appreciate and mannequins are something that new fans can see the potential for menace. The Autons breaking through the shop windows is something that they wanted to do in Spearhead from Space but were unable to do for budgetary reasons. Now we get to see what it would have looked like and it didn’t disappoint. It’s rather odd and cool to see the child Autons walking around and also Autons in wedding dresses. It perhaps isn’t the greatest use of the Autons in this story but they served a purpose and it would be nice to see them back in Doctor Who again.

The scene with the Doctor and Rose walking is quite good because it establishes them as friends. I like how Rose is willing to go along with what the Doctor tells her. Although it’s a friendship that hasn’t quite formed. This is highlighted in the scene by the London eye where Rose is rather miffed that the Doctor doesn’t seem bothered about Mickey. Rose asks the Doctor why he sounds like he from the north and the Doctor reply’s with that plenty of planets have a north. I thought that this was a fun line.

Some of the dialogue that appears in this episode is rather more grown up compared to what would have been said in the classic era. The use of the term breast implants and Shunt off seems rather brave to stick in a drama that appears at 7pm on a Saturday night.

The London Eye is an iconic part of London and is used in this episode as part of the story. It’s not the first time that a part of London will be used in a Doctor Who adventure but I think its quite clever. The location filming of the London Eye and the Houses of Parliament are lovely and it’s a bonus of the new series that the cameras used have improved in quality enough for things to look this good. Even though some of the scenes in this episode are filmed in a studio, it doesn’t feel like that and the quality of the picture doesn’t change at any point.

Jackie sadly comes across rather annoyingly. She comes across as your rather typical council flat mom just after a quick money. At no point during this episode did I like her very much and when she was about to be wiped out by wedding dress Autons, I didn’t worry about her. Noel Clarke is sadly saddled with a character that is a bit wet really. In recent years the character of Mickey grows up by in this episode it’s rather frustrating. The worst bit comes after his incident with the bin. He gets this weird make up to make him look different. It’s just

Clive is played by Mark Benton and I could watch Benton in pretty much anything. He plays someone who has been studying the Doctor and comes across as some sort of conspiracy theorist. The idea that the Doctor leads a trail of is a clever one because he would leave a mark and in this age of things being logged it is inevitable that you could put things together. Sadly he gets shot in the face by an Auton which seems somewhat unnecessary and right in front of his son and wife with no follow up on how they are. It is perhaps the downside of a story taking place in just forty-five minutes that this sort of thing couldn’t be addressed but I think that had this happened twenty-years earlier then it would have formed part of the story.

There are things that don’t work so well. The series of pictures that Clive shows Rose don’t look convincing. The worst one is the one of the Doctor in Texas 1963. Another thing that doesn’t work is the effect of Mickey being pulled into the bin. It looks a bit dodgy.

The episode has a NEXT TIME bit at the end of the episode which is something that is a 21^st century thing which in the absence of a cliffhanger is the thing used to lure people into the next episode. It’s a nice little teaser but considering I am watching it in 24 hours time it doesn’t have quite the impact that it did in 2005. As an opening episode it did what it needed to do and I think satisfied the long-time fans and draw new people into the show. I thought that there was plenty to like and thought that the performance of Christopher Ecceleston and Billie Piper were good and now the introductory episode is over it means that the show can get back to being the classic show it is but with better special effects