This period of Doctor Who is quite similar to Peter Davison’s
time because following someone immensely popular isn’t the most enviable of
tasks. Like Tennant’s opening story, this one gets an hours running time which
only seems fair. With Steven Moffat now the Head Writer it means he gets to
write the first story of the Smith era.
The new title sequence seems like a breath of fresh air
after five years of the same one. It looks nice and the change shows that its
not just the Doctor that has changed. Also the theme tune is new but I’m not
quite sure about that.
The story arc is started quite quickly when Young Amelia
talks about a crack in her wall. Young Amelia is played by Caitlin Blackwood
who is Karen Gillan’s cousin and it’s a good performance from her.
The humour at the beginning of the episode is quite good.
The whole scene in the kitchen is funny to me for some reason. Had this been
done on the RTD episodes then I might have found fault with it. The whole Fish
Custard thing is something that I thought was going to be a thing. It’s such a
mad thing that would normally have caught in the
Perhaps the most noticeable aspect of the change in this
episode is the look of it. The RTD era seemed to have a warm glow to it whereas
this episode starts the less warm feel.
Karen Gillan makes her second appearance and starts off
appearing to be a police officer but then is revealed to be a kissogram. When
the Doctor returned he had done so 12 years after their first meeting and not 5
minutes. Gillan is impressive in this series because she isn’t Billie Piper. It’s
quite refreshing to not have a companion that has such a complicated history.
That will change of course but at the moment it give Gillan the chance that
Agyeman had in Smith and Jones. The interaction between Gillan and Smith is
good from the very beginning which is quite an impressive feat.
Arthur Darvill makes his debut as well as Rory. Rory is
introduced as a loveable buffoon and at this stage its unclear why he would be
considered a regular character.
Matt Smith shows during this episode how he was a good
choice as the Doctor. The scenes where he is facing Prisoner Zero (played at
this point by Olivia Coleman) and the Atraxi are two big scenes are ones that
Matt Smith shows that he can be good when he’s required to be. The Atraxi scene
where he announces that he is the Doctor is a fantastic moment. The design of
the Atraxi isn’t one of the success of the episode. It looks a bit cheap and I
can see what they were trying to achieve but it will have to go down as a
mistake.
It’s not just the Doctor, title sequence and theme tune that’s
new. The TARDIS interior gets it first update since its 2005 return and I
thought that it was really good. I like the different levels because it just
gives the interior scenes a bit of freshness. It makes the Eccleston/Tennant
interior look rather drab in comparison.
The Pandorica Opens and Silence will fall along with the
crack in the wall bit all come together to form the story arc and it’s a great
bit of mystery in 2010 to wonder what this all meant. There is also the final
scene of the episode where Amy needs to be back in the morning for an event she
doesn’t tell the Doctor but the viewer gets to see that it’s her wedding. This
bit I don’t find as interesting as the Pandorica stuff but I suppose the show
has to lean towards mellow-drama just a little bit.
This was a very strong opening episode and despite the
longer than usual running time was well used by Steven Moffat. The performances
from Matt Smith and Karen Gillan help show that the show can survive without
Russell T Davies and David Tennant. One of my friends says that Matt Smith was
close to bringing the show to its knees. I know its meant in a jokey fashion
(though he wont admit it) but I think that the show has a freshness that it desperately
needed.
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