Its fair to say that during the latter stages of the classic
era, the show was resorting to stunt casting. Getting people who didn’t really
have a place in the show but was bought in purely for their star name. Since
embarking on the new series, I think that the casting of famous names has been
largely good and has worked in the benefit of the show. Sadly this good form has
come to a sudden stop. This episode features the appearance of Kylie Minogue
who granted started off her TV career in Neighbours but has hardly become a
house hold name because of her acting. According to IMDB her most recognisable
credits include Streetfighter (1994), Moulin Rouge (2001) and The Vicar of
Dibley (1994).
This is the third Christmas Special and is also the longest
at 1hr 11 minutes. It is also the most watched episode of new who with 13.3
million viewers. This story sees a space liner called the Titanic which like
its namesake, suffers a disaster. I don’t know whether it was a good idea but
if they hadn’t have called the ship Titanic, then people would probably have
still made the similarity anywhere.
Geoffrey Palmer makes his third and final appearance in
Doctor Who after appearing in Doctor Who and the Silurians (1970) and The
Mutants (1972). His involvement is sadly to short but he is basically the one
causes the problems in this episode. Clive Swift is another former Classic Who
star to return. Swift previously appeared in Revelation of the Daleks but plays
a much more likeable character in this episode. Sadly he gave an interview in
DWM where he was less than pleasant. Bernard Cribbins makes his first
appearance in TV Who in a role that was suppose to be a one off but due to the
way of things that will be mentioned in tomorrows review, he ends up being more
involved in the show that anyone watching on Christmas Day 2007 would have
realised. Back to Kylie Minogue and I wouldn’t say that her acting is terrible
but its not hard to see why she has had a more successful career in music. I
think that casting her as someone who starts off as a maid was a bit of a
mistake. It’s like Dwayne Johnson in the new San Andreas movie being a
helicopter pilot. It’s asking us to suspend our disbelief just a bit too much.
There are some good things that work in this episode.
Firstly the Hosts are very good and like the weeping angels, have a great way
about them. The way they can cause death is with their hands and with their halos.
The other good thing about this episode is David Tennant. This is his 29th
episode and he is definelty at ease with the role and does have some good one
liners throughout. If there is one reason to watch this again then it would be
for Tennant’s performance. The bit where he is lifted into the air by the hosts
is quite a good moment.
The big set piece occurs at the end (obviously) when the
Doctor is trying to prevent the Titanic from crashing into Buckingham Palace.
This leads to a rather amusing bit where the Queen makes another appearance and
thanks the Doctor. It’s not a terribly convincing performance.
Despite being the longest and most watched of the Christmas Specials,
it is actually the weakest of the specials. The central problem is that the
plot is somewhat dull. Bearing in mind what is happening on screen, the story
just doesn’t grab me in the way that The Runaway Bride did. It too long as well
with the story working just as well if it had been 60 minutes long. It is by
far the weakest of the Christmas Specials and is in y ratings the second
weakest story of the new era. It is a disappointing episode but I would be
lying if I were to say that it was unwatchable. That honour belongs to Love and
Monsters. Now we the Catherine Tate series and Tennant’s final series.
On a final note, this episode was dedicated to Verity
Lambert who had passed away about a month before. Verity was the mother of
Doctor Who and whilst this might not be the best episode to dedicate to her, I
think that she would have been proud of this episode because it tried to
achieve something and that is what I think she would have approved of.
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