After the previous story didn’t set the world alight in my
opinion so I was reliefed to know that this story was coming up. It’s one of
the classics of Doctor Who’s classic era and one of Tom Baker’s fines stories.
The story is credited to Stephen Harris but actually it was written by Robert
Holmes and Lewis Greifer and it seems like another story where Holmes has had
to re-write a large part of the story which perhaps shows why the story is as
strong as it was. The story sees the Doctor and Sarah still trying to get back
to London to meet the Brigadier. It feels like a story arc like what was used
in the previous season and its mentioned in this episode just to remind the
viewer. The first thing that struck me about this episode is the impressive
opening scene. The footage shots of Egypt help create the impression that the
first time that we meet Marcus Scarman is in Egypt and not in a studio in
London.
The opening scene with the Doctor and Sarah is quite a
strange one because it reminds us of Victoria who travelled with the Doctor
during the 1967/68 season. It’s a nice if somewhat unexpected reference and I
wonder why they chose Victoria of all the companions that the Doctor has travelled
with. It’s strange seeing the Doctor as sombre as he was in that scene because
he has always been like a six year old after they have had too much sugar. To
see him gloomy isn’t a good one but thankfully that doesn’t last too long.
Namin is the first ‘baddie’ that we are introduced to and
its fair to say that he has a temper on him. His argument with Doctor Warlock
is quite heated and fun to watch. Warlock represents a time of history when he
jolly well thinks that he’s in the right because he’s British and that’s just
the way it is. Warlock doesn’t last 10 minutes before he is shot by Namin. That
shot comes a few minutes after Collins the butler/housekeeper is killed by an
unseen force. I quite like Collins (played by Bilton) because he was a genuinely
nice character and played well.
The short period where Namin is chasing the Doctor, Sarah
and Warlock is quite a great scene largely because it was filmed on location
and directed in a certain way but also because of the music. It was very
atmospheric and that’s why it’s one of the best scenes in the episode.
I think that the mummies in this episode are very impressive.
Ok so they less manoeuvrability that the Daleks but they are visually
impressive and the fact they don’t have a face is something that has always
made more sinister than perhaps some people would think but I think that they
are one of the big selling points of this story.
The build up to the cliffhanger was superb and it was all
down to the organ music. It peaks just as the black figure comes out of the
time vortex. The effect of him walking on the carpet and smoke coming from
under his feet is very good and its equalled by when the figure puts its hand
on Namin and smoke comes from under his hands. After being somewhat
underwhelmed by the cliffhangers and episodes from the previous story, its good
that it feels like the show is getting back to what it does best and that’s action
drama. I thought that the action was really strong in this episode with the
performances at their best and I am looking forward to the rest of this story.
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